What reviewing other peoples' music can tell you
I just spent a couple of days at www.GarageBand.com writing reviews for electronica music. And it was an eye-opening experience. Here's how it works, you can have 1 of your songs reviewed if you review 30 songs or 15 pairs. The higher a song rates, the higher it ranks. So I write up reviews of 30 electronica and ambient songs. And the range of quality between the top and bottom is staggering. At the bottom, people are learning fruity loops, don't have a handle on what a good melody is, and what a good mix sounds like. As you move up the ranks, you start to hear songs that have better sounds, but the melody is still bad. Later you hear that the mix is better, and the melody is a little better, but still bad. The most highly ranked songs *have a good melody*. So for all you experiemental electronica artists out there, listen up! If you want to have popular songs, you need to work on your melody most of all. Upbeat songs are generally better received than dirges, with one exception: if the song is not upbeat, and is emotional or compelling, then that song will reach the top of the chart. You can still experiment and be interesting to listen to at the same time.
I have to say, that by the end of a day ranking atonal random and emotionally meaningless pieces, I was so fed up, I clicked on "Surprise me" and reviewed a dance track. I was *so* relieved to get a song with a melody.
As you go even further up the charts to the top, you start to notice the seemingly obvious things being done right: singing with passion. Having a melody worth remembering. Having a decent mic and a good room to record in. Having a good mix. Having the right instruments, and not too many. Mastering the song. Apparently, it's hard for an indie to do all these things right at once.
Incidentally, the news isn't all bad. I listened to a hollywood produced pop track too. It was radio ready and everything was perfect - the singer, the mix, the players, even the song seem polished. And yet it was not compelling. And it was a little too plastic and sounded like other work already on the market. Editorially speaking, it was not new. There's a limit to what the best studio can do to a song. Making a compelling song is truly rare.
So don't give up!
Good luck and happy songwriting!new hampshire music reviews